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2CD Jeremy Siepmann: An Introduction To...Ravel's & Ma Mère L'oye

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An Introduction To...Ravel's & Ma Mère L'oye - CD

Jeremy Siepmann

Klassische Musik | Non-Music | Gesprochenes Wort

2001

2CD

Naxos 17. Juli 2001 Europa

Album

Mehr lesen ID: 709097 EAN: 0636943803226 Discogs ID: 33334205

Status

Neu

Verfügbarkeit

Die Woche

Preis

30,99 €

Verfügbarkeit

Die Woche

Details

Titel	An Introduction To...Ravel's & Ma Mère L'oye
Künstler	Jeremy Siepmann
Format	2x CD
Verlag	Naxos
Land der Veröffentlichung	Europa
Erscheinungsdatum	17. Juli 2001
Erstmals veröffentlicht	2001
Gewicht	170 g
EAN	0636943803226
Produkt-ID	709097
Discogs ID	33334205
Discogs-Bewertungen	2

Jeremy Siepmann: An Introduction To...Ravel's & Ma Mère L'oye Die Version auf 2CD in Standard- Auflage. Diese besondere Auflage wurde veröffentlicht in Europa im Verlag Naxos am 17. Juli 2001. Album Genres übergreifend Klassische Musik, Non-Music und Gesprochenes Wort.

Laden...

	Boléro
1	Introduction; Cue To Unadorned Bolero Rhythm, Part 1	2:29 min
2	Bolero Rhythm, Part 2: An Extended Variation Of Part 1	0:07 min
3	Motto Rhythm Complete	0:21 min
4	But Here We Have Snare Drums And Plucked Violas And Cellos	0:22 min
5	Section 1: Introduction Of 'The Theme'	0:37 min
6	Flute Continues With Part 2 Of Theme	0:48 min
7	Section 2: Complete Statement Of Theme By Clarinet As Flute Joins 'Motto' Group	1:30 min
8	Introduction Of 'discordant' Harp Into The Unfolding Picture	0:18 min
9	Section 3: Bassoon Introduces Closely Related Variant Of Theme	0:34 min
10	...But Then Veers Upwards, Slowing Rhythm And Introducing New Syncopation	0:59 min
11	Section 4: 'Petite' E Flat Clarinet Takes Over Theme, Including Variants	1:21 min
12	Section 5: Oboe D'amore Takes Over Theme But Returns To Its Original Form	1:34 min
13	Section 6: Theme Now Shared By Two Instruments: Muted Trumpet And Flute	1:16 min
14	Section 7: Tenor Saxophone Takes Theme As Trumpet Replaces Horn In 'Motto'	1:39 min
15	Section 8: Theme Taken By Soprano Saxophone 'Espressivo'	1:09 min
16	Section 9: Theme: Celeste, Piccolos And Horn	1:24 min
17	Section 10: Theme: Oboes, Horns, Clarinets	2:06 min
18	Section 11: Theme Taken By First Trombone, Complete With Jazzy Slides	1:40 min
19	Section 12: Theme: Flutes, Oboes, Clarinets, Sax	1:13 min
20	Section 13: Violins At Last Take The Main Tune, Joining Massed Winds	1:14 min
21	Section 14: Violins Divide Into Four Groups, Each 'Double-Stopping'	1:04 min
22	Section 15: Trumpet, Trombone 2 And Tuba Join The Foreground	1:18 min
23	Section 16: First Trombone And Soprano Saxophone 'Rejoin' Theme	0:56 min
24	Section 17: Fortissimo	1:26 min
25	Section 18: Entire Orchestra Now Employed, 'As Loudly As Possible'	1:18 min
26	Section 19: Sudden, Amazing Change Of Key, Lurching From C To E Major	1:20 min
27	Section 20: Key Now Lurches Back To C, As Jazzy Trombones Whiningly Protest	0:36 min
28	Cue To Complete Performance	0:20 min
29	Bolero (Complete)	16:16 min
	Ma Mère L'Oye
	Pavane de la Belle Au Bois Dormant
2-1	Opening Figure On Flute, Rising, Falling, And Then Repeated	1:04 min
2-2	Same Again, With Emphasis On Delicacy Of Scoring	0:30 min
2-3	Answering Variant, Accompanied By Plucked Double Basses	0:19 min
2-4	Reminder Of Opening Figure	0:18 min
2-5	...And Now Its Rythmical Mirror Image, Or Almost...	0:12 min
2-6	Answering Phrase 2: A Near Inversion, Over 'James Bond' Accompaniment	0:41 min
2-7	Pivitol Phrase 3, Reversing Direction But Keeping Rhythm Of Phrase 2	0:46 min
2-8	Reprise Of Phrases 1 And 2, But With New Accompaniment	0:39 min
2-9	Further Reprise Of Phrase 2, Now On Violin, Accompanied By Harp	0:40 min
2-10	Pavane (complete)	1:41 min
	Petit Poucet (Tom Thumb)
2-11	Introduction; Opening, With Multi-metre Rising Scales From Muted Violins	0:49 min
2-12	Changes Of Metre Continue As Solo Oboe Introduces Theme One	0:24 min
2-13	Oboe Yields To Cor Anglais For Theme Two, Against Lower Strings (Still Muted)	0:44 min
2-14	Theme One Returns, Shared By Clarinet And Flute, Muted Horn Added To Acccompaniment	0:25 min
2-15	'Motto' Rhythm Dominates As Intensity Increases From Lower Strings To Full Orchestra	0:46 min
2-16	Fear Subsides As Theme Two Returns, Again In Cor Anglais But Now In A Different Key	0:32 min
2-17	Sensational Sound Effects Evoke A Wood At Night, With Screechs, Cuckooing Etc.	0:44 min
2-18	Texture Thins; Theme One Returns, Delicately Scored For Strings And Piccolo	0:19 min
2-19	The Main Part Of Movement Ends, With Waltz-Like March , Featuring Flute (!)	0:28 min
2-20	Petit Poucet (Complete)	3:28 min
	Laideronnette, Impératrice des Pagodes
2-21	Introduction; Opening Bars, Followed By Theme One (Introductory)	2:00 min
2-22	Oriental-Orchestral Equivalent Of An Imperial Telephone Bill	0:15 min
2-23	...Oboe 'Answers' With A Slightly Varied Version Of Theme One	0:15 min
2-24	Expanded Derivative Of The 'Telephone Bill' Interupts The Theme Again	1:00 min
2-25	Fragments Of Themes In Flutes And Cor Anglais, With 'James Bond' Tag In Violins	0:24 min
2-26	'Gamelan' Muisc From Flute And Piccolo, Accompanied By Harp,Xylophone And Strings	0:32 min
2-27	Arrival Of Empress; Upper Strings Yield To Winds, Celeste, Harp And Gong (Very Discreet)	0:47 min
2-28	Laideronnette, Impératrice Des Pagodes (Complete)	3:57 min
	Les Entretiens de la Belle Et de la Bête
2-29	Opening Waltz Theme From Clarinet, With Important Downward Scale Figure In Strings	0:51 min
2-30	Characteristic Pattern Of Two Short Phrases Answered By A Long One	0:36 min
2-31	Clarinets, Flutes And Violas, With 'Sighing' Figure Derived From Downward String Mofif	0:21 min
2-32	Varied Reprise Of Opening, Entry Of The 'Beast' ; 'Watch It! Watch It!' (Contra-Bassoon)	0:32 min
2-33	Again The 'Beast' Growls, Again The Cautious Warning 'Watch It!' From The Winds	0:40 min
2-34	Derivative Of Beauty's Theme From Flute, Combined With 'Caution Motif' In Strings	0:38 min
2-35	'Beast's Theme' Rises In Pitch With Each Successive 'Growl' (Representing Hope?)	0:52 min
2-36	'Beauty' 'Beast' And 'Caution' All Combine Simultaneously	1:12 min
2-37	'Beast' Climbs Ever Higher, Handing Over To Bassoon Proper. (Contra-Bassoon)	0:49 min
2-38	Harp's Upward Glide Heralds The Moment Of Transformation; Love Song, Fear, Release	2:09 min
2-39	Les entretiens de la Belle et de la Bête (Complete)	4:14 min
	Le jardin féerique
2-40	Introduction; Opening Bars Are Unfurled By The Strings Alone	0:40 min
2-41	The Rhythmic Basis And Its Guises. First, A Question: 'Where Went My Childhood?''	1:23 min
2-42	The Question Intensified: 'Oh, Where Went My...Childhood?'	0:15 min
2-43	The Answer With Falling Inflection: 'Gone Is Your Childhood.'	0:20 min
2-44	The Plea: 'Bring Back My Childhood!'	0:14 min
2-45	The Response: 'Seek In...Your Mem'ry. 'There It...Will Be.'	0:25 min
2-46	Ravel's Use Of Tone Colour To Change The Feeling Of The Music	0:49 min
2-47	Further Illsustratoion Of The Same Point	0:27 min
2-48	Continued	1:44 min
2-49	The Nobility Of The Strings	0:45 min
2-50	Bells Evoked By French Horns; The Final, Opulent, Moving Climax Of The Whole Suite	1:11 min
2-51	Le Jardin Féerique (Complete)	4:11 min

Laden...

Bitte beachten Sie, dass die Abmessungen von Stück zu Stück leicht variieren können.
Herren
T-SHIRTS		LANGARM-T-SHIRTS
GRÖßE	BRUSTUMFANG (CM)	GRÖßE	BRUSTUMFANG (CM)
XXL	122	XXL	124.5 - 127
XL	117	XL	122
L	106.5	L	112
M	96.5	M	101.5
S	91.5	S	94

HOODIES		SWEATSHIRTS MIT REIßVERSCHLUSS
GRÖßE	BRUSTUMFANG (CM)	GRÖßE	BRUSTUMFANG (CM)
XXL	127	XXL	119.5 - 124.5
XL	122	XL	112 - 117
L	112	L	104 - 109
M	101.5	M	96.5 - 101.5
S	91.5	S	89 - 94


Frauen
T-SHIRTS		SKINNY FIT T-SHIRTS
GRÖßE	BRUSTUMFANG (CM)	GRÖßE	BRUSTUMFANG (CM)
XL	91.5 - 96.5	L / XL	91.5 - 96.5
L	86 - 91.5	S / M	81 - 86
M	81 - 86	ONE SIZE	81 approx.
S	76 - 81

WESTEN		SWEATSHIRTS MIT REIßVERSCHLUSS
GRÖßE	BRUSTUMFANG (CM)	GRÖßE	BRUSTUMFANG (CM)
XL	91.5 - 94	L	96.5 - 101.5
L	86 - 91.5	M	91.5 - 96.5
M	81 - 86	S	81 - 86
S	76 - 81

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An Introduction To...Ravel's & Ma Mère L'oye - CD

Jeremy Siepmann