Kent Dance
14. Dezember 2018
Europa
Known for producing some of the best Southern soul music from their studios in Muscle Shoals, Alabama, FAME has been successful in any kind of music. The young writers and musicians sought to emulate the Motown sound as well as the innovative Stax sound. This CD highlights the Southern temperament with club classics such as Clarence Carter's "Lo...
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Details
| Titel | Fame Northern Soul |
| Künstler | Various |
| Format | CD |
| Verlag | Kent Dance |
| Land der Veröffentlichung | Europa |
| Erscheinungsdatum | 14. Dezember 2018 |
| Erstmals veröffentlicht | 2018 |
| Gewicht | 85 g |
| EAN | 0029667087322 |
| Produkt-ID | 93420 |
| Discogs ID | 13767002 |
| Discogs-Bewertungen |
4
|
Various: Fame Northern Soul Die Version auf CD in Standard- Auflage. Diese besondere Auflage wurde veröffentlicht in Europa im Verlag Kent Dance am 14. Dezember 2018.
Known for producing some of the best Southern soul music from their studios in Muscle Shoals, Alabama, FAME has been successful in any kind of music. The young writers and musicians sought to emulate the Motown sound as well as the innovative Stax sound. This CD highlights the Southern temperament with club classics such as Clarence Carter's "Looking For A Fox" and Arthur Conley's "I Can't Stop; No, No, No," but the label was also able to make a name for itself in the dance tracks "Keep On Talking" by James Barnett and "Everytime" by Linda Carr. They also managed to emulate the big city soul sound of New York and Los Angeles with tracks like Jimmy Hughes' 'I'm Getting Better' and June Conquest's 'Almost Persuaded'. When more productive sounds emerged in the '70s, they were more than adept, such as with George Soule's 'Midnight Affair' (released at the time by Sandra Wright) and a string of hits for Candi Staton. Speaking of Candi, Ace's access to the FAME vaults revealed some amazing music and her 'One More Hurt' and Spencer Wiggins' 'I'm At The Breaking Point' proved to be huge dance hits when they were finally unleashed on eager fans earlier this decade. Those were the most significant discoveries, but we've released about 300 previously unheard FAME tracks and there's dance gold among the 25 or so compilations we've released over the last eight years.
Album Genres übergreifend Funk / Soul und Soul.
Known for producing some of the best Southern soul music from their studios in Muscle Shoals, Alabama, FAME has been successful in any kind of music. The young writers and musicians sought to emulate the Motown sound as well as the innovative Stax sound. This CD highlights the Southern temperament with club classics such as Clarence Carter's "Looking For A Fox" and Arthur Conley's "I Can't Stop; No, No, No," but the label was also able to make a name for itself in the dance tracks "Keep On Talking" by James Barnett and "Everytime" by Linda Carr. They also managed to emulate the big city soul sound of New York and Los Angeles with tracks like Jimmy Hughes' 'I'm Getting Better' and June Conquest's 'Almost Persuaded'. When more productive sounds emerged in the '70s, they were more than adept, such as with George Soule's 'Midnight Affair' (released at the time by Sandra Wright) and a string of hits for Candi Staton. Speaking of Candi, Ace's access to the FAME vaults revealed some amazing music and her 'One More Hurt' and Spencer Wiggins' 'I'm At The Breaking Point' proved to be huge dance hits when they were finally unleashed on eager fans earlier this decade. Those were the most significant discoveries, but we've released about 300 previously unheard FAME tracks and there's dance gold among the 25 or so compilations we've released over the last eight years.
Album Genres übergreifend Funk / Soul und Soul.
Laden...
| 1 | James Barnett: Keep On Talking | ||
| 2 | Billy & Clyde: A World Of My Own | ||
| 3 | George Jackson: It's Not Safe To Mess On Me | ||
| 4 | Art Freeman: Slippin' Around With You | ||
| 5 | Jimmy Hughes: It Ain't What You Got | ||
| 6 | Clarence Carter: Looking For A Fox | ||
| 7 | Marjorie Ingram: In The Heat Of Love | ||
| 8 | Candi Staton: One More Hurt | ||
| 9 | Spencer Wiggins: I'm At The Breaking Point | ||
| 10 | Ralph "Soul" Jackson: You Really Know How To Hurt A Guy | ||
| 11 | June Conquest: Almost Persuaded | ||
| 12 | Jimmy Hughes: I'm Getting Better | ||
| 13 | Ben & Spence: A Stone Loser | ||
| 14 | Spencer Wiggins: Holding On (To A Dying Love) | ||
| 15 | George Soule: Midnight Affair | ||
| 16 | James Govan: Your Love Lifted Me | ||
| 17 | Otis Clay: I'm Qualified | ||
| 18 | Herman Moore: Love Light (Edited Version) | ||
| 19 | Dan Brantley: The Door To My Heart | ||
| 20 | Arthur Conley: I Can't Stop (No, No, No) | ||
| 21 | Bobby Moore & The Rhythm Aces: Baby Come Back | ||
| 22 | Linda Carr: Everytime | ||
| 23 | David & The Giants: Ten Miles High | ||
| 24 | Phillip Mitchell: Love Is A Wonderful Thing |
Laden...
Laden...
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