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Sketches Of Spain - LP, CD, SACD

Miles Davis

Jazz | Contemporary Jazz | Modal

1960

Varianten:

CD Miles Davis: Sketches of Spain

5-Track CD Reissue — Hallmark

Hallmark Music & Entertainment 24. Juni 2016 USA

Album Wiederveröffentlichung

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by...

Mehr lesen ID: 177806 EAN: 5050457164225 Discogs ID: 12825854

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Details

Titel	Sketches of Spain
Künstler	Miles Davis
Mehr Information	5-Track CD Reissue — Hallmark
Format	CD
Verlag	Hallmark Music & Entertainment
Land der Veröffentlichung	USA
Erscheinungsdatum	24. Juni 2016
Erstmals veröffentlicht	1960
Gewicht	85 g
EAN	5050457164225
Produkt-ID	177806
Discogs ID	12825854
Discogs-Bewertungen	4.64

Miles Davis: Sketches of Spain Die Version auf CD in Standard- Auflage. Diese besondere Auflage wurde veröffentlicht in USA im Verlag Hallmark Music & Entertainment am 24. Juni 2016.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Album Genres übergreifend Jazz, Contemporary Jazz und Modal. 5 Tracks.