LP Miles Davis: Sketches Of Spain DLX | LTD

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Sketches Of Spain - LP, CD, SACD

Miles Davis

Jazz | Contemporary Jazz | Modal

1960

Varianten:

LP Miles Davis: Sketches Of Spain DLX | LTD

Deluxe Gatefold Limited Edition — Jazz Images

Jazz Images 30. Dezember 2016 Europa

Album Deluxe Edition Limited Edition Wiederveröffentlichung Stereo

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by...

Mehr lesen ID: 59485 EAN: 8437012830998 Discogs ID: 9204581

Status

Neu

Verfügbarkeit

Vorrätig Letztes Stück

Versand morgen

Preis

13,99 € ~~25,99 €~~

inkl. 19 % MwSt., zzgl. Versandkosten

Verfügbarkeit

Vorrätig Letztes Stück

Versand morgen

Details

Titel	Sketches Of Spain DLX \| LTD
Künstler	Miles Davis
Mehr Information	Deluxe Gatefold Limited Edition — Jazz Images
Format	LP (Vinyl)
Verlag	Jazz Images
Land der Veröffentlichung	Europa
Erscheinungsdatum	30. Dezember 2016
Erstmals veröffentlicht	1960
Gewicht	230 g
EAN	8437012830998
Produkt-ID	59485
Discogs ID	9204581
Discogs-Bewertungen	4.56

Miles Davis: Sketches Of Spain DLX | LTD Die Version auf Vinyl LP in deluxe limitierte Auflage. Diese besondere Auflage wurde veröffentlicht in Europa im Verlag Jazz Images am 30. Dezember 2016.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Album Genres übergreifend Jazz, Contemporary Jazz und Modal. 180g Gatefold Vinyl Deluxe Limited Edition.