Standard 2013 edition
Sub Pop
27. August 2013
USA
"Creatures Of An Hour", Still Corners' debut, shines thanks to Tessa Murray's delicate vocals and the atmospheric, cinematic influences of composer Greg Hughes. Still Corners also poke fun at the youthful vibe of French no wave and the restlessness of the Italian horror genre. From the projections (directed by band member Leon Dufficy) that ...
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Versand 26. 1.
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Versand 26. 1.
Details
| Titel | Creatures Of An Hour |
| Künstler | Still Corners |
| Mehr Information | Standard 2013 edition |
| Format | LP (Vinyl) |
| Verlag | Sub Pop |
| Land der Veröffentlichung | USA |
| Erscheinungsdatum | 27. August 2013 |
| Erstmals veröffentlicht | 2011 |
| Gewicht | 230 g |
| EAN | 0098787094015 |
| Produkt-ID | 78931 |
| Discogs ID | 3159104 |
| Discogs-Bewertungen |
4.32
|
Still Corners: Creatures Of An Hour Die Version auf Vinyl LP in Standard- Auflage. Diese besondere Auflage wurde veröffentlicht in USA im Verlag Sub Pop am 27. August 2013.
"Creatures Of An Hour", Still Corners' debut, shines thanks to Tessa Murray's delicate vocals and the atmospheric, cinematic influences of composer Greg Hughes. Still Corners also poke fun at the youthful vibe of French no wave and the restlessness of the Italian horror genre. From the projections (directed by band member Leon Dufficy) that characterise their live performances, to the free-floating glamour of 'Creatures Of An Hour'. Recorded at Hughes' own studio in Greenwich, the devil is in the detail. Between the whispered intimacy and the emotional range of filmmaker Ennio Morricone, Hughes writes deceptively simple songs that lodge in the consciousness like half-forgotten dreams. The first single, "Cuckoo," shines in its simplicity: a single drumbeat, a ghostly guitar and a distant organ set the scene for Murray's soprano asking, "I'd like to read your mind / Can you read mine?" Hughes, meanwhile, is content to keep Still Corners' musical secrets a mystery because he doesn't like to explain the songs: "It ruins the mystery." Reviewers around the world, however, have been keen to praise the beauty of Still Corners' pop. Grab a bag of popcorn and get comfortable: this is just the first act for Still Corners.
Album Genres übergreifend Rock, Pop, Indie-Rock, Ethereal und Dream Pop.
"Creatures Of An Hour", Still Corners' debut, shines thanks to Tessa Murray's delicate vocals and the atmospheric, cinematic influences of composer Greg Hughes. Still Corners also poke fun at the youthful vibe of French no wave and the restlessness of the Italian horror genre. From the projections (directed by band member Leon Dufficy) that characterise their live performances, to the free-floating glamour of 'Creatures Of An Hour'. Recorded at Hughes' own studio in Greenwich, the devil is in the detail. Between the whispered intimacy and the emotional range of filmmaker Ennio Morricone, Hughes writes deceptively simple songs that lodge in the consciousness like half-forgotten dreams. The first single, "Cuckoo," shines in its simplicity: a single drumbeat, a ghostly guitar and a distant organ set the scene for Murray's soprano asking, "I'd like to read your mind / Can you read mine?" Hughes, meanwhile, is content to keep Still Corners' musical secrets a mystery because he doesn't like to explain the songs: "It ruins the mystery." Reviewers around the world, however, have been keen to praise the beauty of Still Corners' pop. Grab a bag of popcorn and get comfortable: this is just the first act for Still Corners.
Album Genres übergreifend Rock, Pop, Indie-Rock, Ethereal und Dream Pop.
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Still Corners
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